Evan McKie

 

 

Evan McKie


Principal Dancer

of National Ballet of Canada,
Guest Artist with Paris Opera Ballet,
Bolshoi Ballet, Mariinsky Ballet
and Tokyo Ballet for 10 years

 

 


Ballet Intensives NYC is happy to continue a long-standing collaboration with Evan McKie, Principal Dancer with the National Ballet of Canada and a notable Guest Artist with Paris Opéra Ballet, Bolshoi Ballet, Mariinsky Ballet, and Tokyo Ballet. 

 
"A natural aristocrat of ballet."

– Toronto Star 

 

Internationally acclaimed for his elegant, nuances performances, Evan has graced all of the world’s most important stages. The National Ballet of Canada's Artistic Director, Karen Kain, in a statement to The Toronto Star called him “one of the finest dancers of his generation.”

 

 

Evan often performs at international galas

 

 

“Performing in the most exclusive companies in Paris, Russia and Tokyo, where they set the bar exceptionally high, is always an honour because you have to work to the highest standards and have something completely unique to say with your dancing to be worthy,” McKie says.

 

Numerous in-demand choreographers who have created roles on him include Wayne McGregor, Marco Goecke, Mauro Bigonzetti, Christian Spuck, Kevin O'Day, Demis Volpi, Louis Stiens and Douglas Lee. Mr. McKie has also worked with legendary dance-makers John Neumeier, William Forsythe, Hans Van Manen, Jiří Kylián and the late Glen Tetley. Evan has also commissioned works by Juliano Nunes, Douglas Lee, David Dawson and Andonis Foniadakis for performances at home in Canada and abroad. “Of all of today's international dance stars, McKie is one of the very brightest,” wrote Danse Magazine, Paris.

 

Evan continues to have very close ties with the Stuttgart Ballet, where he trained and rose through the company's ranks. After studying at Canada's National Ballet School, The Kirov Academy of Ballet, and Germany's John Cranko School, Evan was given his first professional job as a dancer by the Stuttgart Ballet's Artistic Director, Reid Anderson. 

 

Just before becoming professional however, McKie suffered a severe knee-ligament injury and was told by doctors that he may never be able to be a ballet dancer. Though the ligament was irreparable at the time, McKie attempted to dance without it and began training with the late ballet legend Pyotr Pestov. McKie started performing and eventually took a place at the Stuttgart Ballet. At the time doctors called it a “miraculous recovery.” Promotions to soloist and highest rank of Principal Dancer followed and in 2011, McKie was invited to be a guest dancer at the Paris Opera Ballet. The Financial Times hailed Evan’s performance of John Cranko's Onegin “the sensation of the entire season.”

 

McKie received further critical acclaim when he was invited to be a guest at the Bolshoi Ballet in 2013, which led to further guest-engagements at the Paris Opera Ballet in both January and July 2014 in different roles. In Stuttgart, under the direction and mentorship of fellow Canadian Reid Anderson, McKie danced the major roles in Classical Ballet as well as being a part of over 30 contemporary collaborations and was also given opportunities to develop himself as a creative director during the world-famous Noverre Society workshops.

 

Over the last decade, he has been nominated as International Dancer of the Year by dance magazines in Tokyo, London, Paris, Berlin and New York for dance works ranging from classical to dramatic narrative to contemporary. Danse Magazine Pariswrote, "Evan McKie's limitless spirit and unusual storytelling abilities make him one of the brightest of all of today's most famous dance stars."

 

Evan has choreographed two dance works for Stuttgart's Noverre Society and a work for Bolshoi Ballet's Olga Smirnova, in cooperation with the Youth American Grand Prix, performed at Lincoln Centre in NYC.

 

He is a contributor and Advisory Board member for American Dance Magazine and has been a freelance contributor for Canada's national newspaper, The Globe and Mail, often writing preview pieces for upcoming productions.

Recommended reading: Evan’s article for Dance Magazine